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Learn to paint

Painting is a medium through which many people find that their emotions and thoughts can shine through. No previous experience is necessary, and if you’ve ever taken an art class, even if it was finger painting in elementary school, then you’ve had an introduction to painting.

To paint, you’ll need to choose the best type of paint for your purposes, as well as brushes and other supplies, before familiarizing yourself with the proper way to mix colours, apply artistic principles, and create your work of art. You’ll probably need some practice before you can paint a masterpiece, but it doesn’t take much to get started.

What types of painting and art are you hoping to create? Do you need a lot of time to work on a single project, or do you hope to fully finish pieces in a single sitting? Do you have a spacious work area that is well ventilated, or a small area that might cause fumes to build up? How much money do you hope to spend on supplies? These are all important things to consider before committing to a type of paint.

Choosing Paint

Watercolours come in cases or small tubes of pigment. When used alone, they are thick and opaque, and do not cover much area. When used in combination with water, they will thin out and become transparent. Watercolours are used on specific paper made for use with watercolour; any old piece of paper will not necessarily work very well. When it comes into contact with water, there are limited options for things to use as a “blank canvas,” unlike acrylic and oil paints. These paints don’t allow thick layers of colour but give the beautiful effect of thin, translucent layers of colour.

Acrylic paints are another water-based paint option with a fast drying time and low fumes. These are a great choice for anyone interested in whipping up a completed painting in a single day. Thick layers of paint can be stacked up for a beautiful 3D effect, and because they are water-soluble they can be wiped off surfaces and washed out of textiles. The downside is that because they dry so quickly, blending and wet-on-wet painting techniques can be difficult.

– The application style and overall appearance of acrylic paints is most similar to oil paints.
– Acrylic paints are typically less expensive than oil paints, and require many less additives. They are a bit more intuitive in terms of layering and technique than watercolour paints, though.
– Acrylic paints are much less toxic than oil paints, as they don’t give off fumes or require heavy ventilation. If you are working in a small space or have pets and children around, acrylic paint is a safer option than oil.

Arguably the most advanced option of the three painting mediums, oil paints are slow-drying and thick, they offer dozens of specialized techniques. These take about three months to dry completely, making them the best option for someone who needs or wants a lot of time to work on a painting to completion. On the downside, they are slightly toxic and require a great deal of ventilation when being used.

– Oil paints are the most expensive option of the three paint mediums and require several additional supplies including mineral spirits and gels.
– Oil paints have the richest colour of the three paint mediums, and will dry true to the mixed colour.

Get quality paints
When you’ve decided on which type of paint you want to use, you will have to select a brand to go along with it. As a beginning painter, it is tempting to want to purchase the cheapest available brand. However, you will save yourself time and money (in the long run) by purchasing quality supplies. There are higher levels of pigment in good quality paint, meaning that a single stroke is all that is required while 2-3 may be needed to get a solid coat of paint with cheap paint. You’ll end up using a cheap tube of paint much faster (and with much more frustration) than a more expensive tube of paint.

Other equipment

Choose your brushes
There are two primary things to pay attention to in choosing a brush: the shape of the bristles, and the material of the bristles. Bristles come in three shapes: round (with a pointed cylindrical tip), flat, and filbert (like a flat brush that comes to a point). The bristles can be made out of sable (mink), synthetic, synthetic mix, hog, or squirrel hair.

– For watercolour painting, the best brushes are sable or squirrel, with a round tip.
– The best paint brushes for acrylic painting are synthetic or synthetic mix with a flat tip.
– For oil painting, the best options to use are synthetic mix and hog with a filbert tip.

Get your canvas
Stretched canvas is the best option for acrylics and oils, as it is relatively cheap. However, thick drawing paper, canvas board, and watercolour paper are all good options as well. Oil and acrylic paints can be used on most smooth surfaces, including wood and plastic, but the surface must be primed first to allow the paint to grip. Watercolour paints can only be used on special paper or fabric.

– Don’t use regular printer paper or another thin paper for painting, as the paint will be too heavy and wet and will cause it to curl and warp.
– If you plan to paint on wood or plastic, you will have to prime it first so that the paint sticks.

Get your other supplies
In addition to those primary supplies, you will need a pallet, jars full of water (two is good – one for washing your brush and getting the colour out and the other for wetting your paints), and a rag, an old shirt or apron to wear. Other specialty supplies are required for oil paints, but are not needed for watercolour or acrylics. It is helpful to get gesso as well; it is a white primer that preps any surface (canvas and paper included) to create the best painting surface.

– Not necessary for most painting but often desired, an easel can be used to prop up your painting. Otherwise, any flat, stable surface will work for painting on.

Elements of Painting
Understand the use of lines
The most basic type of line used in art is a contour line; this is the line drawn to outline an object. Some painters include contour lines around their subject, while others only use patches of colour to show shapes. Determine whether or not or intend to use very obvious lines (such as contour lines) in your painting or not.

Learn how to build up shapes
Every object that can be painted is a culmination of several shapes put together. The biggest issue beginner painters have is trying to see one subject as a single shape, rather than a layering of many shapes. Instead of focusing on drawing the outline of a figure, consider it as multiple shapes that can be connected.

Understand value
Value is what colour your figure is when converted to the greyscale; how light or dark a certain colour is. Value is important when mixing paints, as colours can be deceptive when mixing unless thought of in terms of lightness and darkness.

Realise that most paintings will only contain a value range in the bottom third (mostly light colours), the middle section (mid greys/medium tones), or in the top third (mostly dark colours) of a greyscale.
Use your space effectively.

Because you’re working on a flat surface, you need to create the illusion of distance through the use of space. To maintain a flat surface, keep objects the same size and spaced out. To create depth, overlap shapes and make things further away smaller while things close to the viewer should be larger.
Learn how to create texture.

For things to look touchable in your painting, you need to create the illusion of texture. Texture is created by using different brush strokes and moving the paint in different ways on the canvas. Short, quick brush strokes will add fur-like texture while long, flowing brush strokes will make things look softer and longer. You can physically build up the paint on the canvas to create texture as well.
Create movement with your paint.

Movement is like the continuation of texture but on a larger scale. Movement is created when a textured pattern is repeated over and over on the entire canvas. Not all paintings require movement, but if you are trying to create a realistic painting, then the movement is an important element to incorporate.
Look at your overall composition.

The layout of your painting, the placement of objects and figures, is known as the composition. In order to create an interesting composition, figures must be placed in such a way as to cause the viewer’s eyes to circle the entire painting. Avoid putting a single figure in the centre of your painting, as this composition is the most basic. Create interest by putting a single figure on an intersection of thirds, or by adding other interesting objects to the background.

Creating Your Painting

Choose a subject
The most important decision of your painting is deciding on a subject to focus on. For most beginner painters, it is easiest to choose an image (which is already flat) and painting a copy of that rather than choosing a 3-D object. To start, find something with basic lines and shapes, without too many colours, that would be easy to test your painting skills on. Common beginning painting subjects include:

– A bowl of fruit
– A vase of flowers
– A stack of books

Create a sketch

Although it is not a requirement, many painters find it helpful to draw a rough outline of their figure on their canvas prior to painting it. Use a light graphite pencil to gently sketch the outline of shapes and figures on your canvas. You will be painting over this, but having a light outline will help you to keep your paint in the right areas.

Find the light source
The colours your mix and the placement of paint on your canvas both rely on one major thing, its light source. Look at your subject, and determine where the lightest areas and the darkest parts are. Mix your paints with these in mind, creating several shades or tints of a single colour to effectively blend colours together if necessary.

Start painting the background
When painting, it is best to work from the back to the front. This will help you to accurately layer objects and create the perception of distance. Paint with a single colour at a time, going back and adding other layers of colour as your work. Your background should be painted first, and you can add objects closest to the foreground later.

Add in your subject
When you’re happy with the background, you can add in objects and shapes. Work with layers of paint, similar to the way you added the background in. Your subject is the centre of attention for your painting, so it is important that you spend plenty of time paying attention to incorporating all the elements of art into it. Analyse it from all perspectives, and focus on recreating shapes rather than the entire figure.

If you’re having a difficult time painting your subject accurately, flip your painting upside down. Painting it from a different angle will force your eye to look at the shapes that make up the figure accurately, rather than the symbol of the shapes your mind creates.

Start with the lightest colours, and then work with darker colours. It is difficult to layer dark colours over light ones, so start with whites and pastels before moving onto hues and tones.

Add in details
As you begin to finish your painting, add in the details you want for your background and figures. Many times this includes adding texture with your brush, a wash or glaze, and small or intricate figures as an overlay. This is the time for you to really get minute and focused on finishing touches.

Clean up
With the completion of final details, your painting is done! Touch up any mistakes on your painting, sign the corner, and clean up your work materials. It is very important to thoroughly clean your paintbrushes so that they stay in good condition and will work well for future projects. Save any paint that you have left in containers, and store away your art supplies.

Mixing Colours

Familiarise yourself with the colour wheel
The colour wheel is a map of colours, showcasing the ways new colours can be created. There are three sets of colours present: primary, secondary, and tertiary. Primary colours are: red, blue, and yellow. These are colours that come straight from a tube; they cannot be made from mixing other colours. However, secondary colours (purple, green, and orange) can be made from the primary colours. Tertiary colours are in between primary and secondary on the colour wheel (think teal or peach).

– Red + Yellow = Orange
– Yellow + Blue = Green
– Red + Blue = Purple

Mix your colours
If you would like a more varied choice of colours then you may choose to mix a range of colours to make your choicest one. Nothing is worse than creating a painting using colours only straight from the tube. Mix your colours together to create new variations; mix the two primary colours in equal amounts for true colour, or add a little more of one colour than the other. For example, making purple with slightly more blue than red will result in bluish indigo colour, while mixing with more red may result in a deep maroon.

Create different tints
Adding a small amount of white to any colour will make it lighter, turning it into a tint. Most from-the-bottle colours are very vibrant and bold, and can be made more pastel-like by adding white.
It is harder to add white to colour, so try adding a bit of your colour to white paint first. You will have to use less paint to make a tint in this fashion.

Mix some shades
The opposite of a tint, a shade is when you mix any colour with black. This makes the colour slightly darker, i.e. turning red into burgundy or blue into navy. It is easiest to add a small amount of black to your colour (rather than adding your colour to black paint) to accomplish your shade. In this case,
less is more – always start with the smallest amount of paint possible to avoid making a drastically different colour right off the bat.

Create different tones
If a colour is too bright for your liking, mix the colour’s opposite into it to dull the vibrancy. Doing this is changing your hue (true colour) into a tone; you’re toning the colour down. A colour’s opposite is the one directly across from it on the colour wheel. For example, the opposite of red is green, yellow is violet, and blue is orange.

Explore the world of Bob Ross and The Joy of Painting
Robert Norman Ross (October 29, 1942 – July 4, 1995) was an American painter, art instructor, and television host. He was the creator and host of The Joy of Painting, an instructional television program whereby Ross taught techniques for landscape oil painting, completing a painting in each session.

Ross went from being a public television personality in the 1980s and 1990s to posthumously being an Internet celebrity in the 21st century, with his talent and kindness leading to major popularity with fans on YouTube, Twitch, and other websites years after his death.

Visit the YouTube Channel of Bob Ross and The Joy of Painting
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Source: https://www.wikihow.com/Paint